Travel Information

In 2010 PSBlues & Americana received the distinguished ‘Keeping the Blues Alive’ award. Hear Pacific Road Blues & Americana Sunday’s 9 – Midday CST (-6 GMT) on 89.7 fm or on-line; Playlists are at or /psblues. PODCAST: You can stream or obtain aired shows at We do not educate, we do not mitigate…we just play … Continue reading “Travel Information”

King Street BluesIn 2010 PSBlues & Americana received the distinguished ‘Keeping the Blues Alive’ award. Hear Pacific Road Blues & Americana Sunday’s 9 – Midday CST (-6 GMT) on 89.7 fm or on-line; Playlists are at or /psblues. PODCAST: You can stream or obtain aired shows at We do not educate, we do not mitigate…we just play good music.

The spotlight of the album, and a fundamental staple of radio airplay in every single place, was his nice collaboration with soul artist Bill Withers, Just The Two Of Us. It was also the ultimate step away from Motown, landing him on Elektra Data and into a new era of jazz excellence. The album went platinum in 1981, and likewise gained Grammy Awards in 1982 for Finest r and b Track (Just The Two of Us”), and Finest Jazz Fusion Efficiency (Winelight”). Winelight” was also nominated for Document of the Year and Tune of the 12 months.

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The Rob Tognoni Band is a high power band based mostly in Australia. Whereas the band bills itself as a blues-rock band, the flavor is more of a basic rock type with a tinge of blues. The band’s leader cites Jimi Hendrix, B.B. King, and fellow countrymen AC/DC as some of his predominant influences. Of those, I hear the AC/DC influence the strongest. Sometimes thoughout the CD, I hear strong blues-rock fashion lead riffs, as well as tune rhythms that remind me of AC/DC, a band I always felt was mis-categorized as a heavy steel band.

However, like I stated earlier, jazz is a music that is making an attempt to work out a stability—and, at its best, it does work out that steadiness—between custom and innovation. When an artist will get up there and all of a sudden pulls out aDuke Ellington ballad and there is that spark of familiarity, there is a sense of connection to the jazz historical past, to its legacy, that cannot be denied. And I think this is all half and parcel of the same form of impetus inside jazz to look back and have fun the historical past. It is like driving forward whereas preserving not less than one eye on the rearview mirror. It’s something that you’ve got to work out.