Al King 1998 It’s Rough Out Here

It’s the massive one – pleased to announce that our intrepid away day reporter and Metropolis superfan Sean Riley has won a competition to journey with the staff to Kiev, so we’ll await his report with curiosity. There are numerous individuals who jam to blues backing tracks within the C key and the chords used … Continue reading “Al King 1998 It’s Rough Out Here”

King Street BluesIt’s the massive one – pleased to announce that our intrepid away day reporter and Metropolis superfan Sean Riley has won a competition to journey with the staff to Kiev, so we’ll await his report with curiosity.

There are numerous individuals who jam to blues backing tracks within the C key and the chords used may very well be C, C7, G7, and F7. If th tracks are meant for a solo then the Am pentatonic scale will probably be moderately helpful and ideal to a sure diploma. Some of the different options of blues guitar backing tracks embody C-minor pentatonic comprising of the c-blues scale and c-main and Bb major scales in Dorian mode.

MOMMAFEST: Momma and The Redemption, Port City Prophets, Mason Dixon Band, Tastes Like Rooster, Huge Daddy Cade, Smoky Weiner, Bobbie Storm, Muddy Kings and extra! Momma’s Blues Palace and Smokey’s Place have partnered for this huge event that includes the perfect blues music, meals, fun, and good instances. Proceeds will go to the Ronald McDonald Home – music will run from Noon until 1:30 AM. There can be vendors of each description and great prizes. Mommafest shall be streaming STAY in HD – test back for extra particulars!

When the Blues and Kings play in an essential Western Convention showdown (7 p.m. on FS-MW, KMOX 1120-AM), neither staff has precisely lit the lamp the previous two games. The difference is the Blues have received two in a row scoring four objectives, including as soon as in additional time, and the Kings, who’re playing the sixth of a season-long seven-game trip, have lost two straight scoring one objective.

Smith’s voice leaves much less to be desired when judged fully on its timbre, depth and resonamce. she recorded fewer than fifty sides between 1923 and 1939 on several labels below three names: Trixie Smith, Tessie Ames, and Bessie Lee (Rust Jazz Data). Among the many many musicians on her early recordings on the ill-fated Black Swan label had been Fletcher Henderson, James P. Johnson, and Louis Armstrong. Unfortunately, the 1922-23 recordings reveal that since much of the fabric Trixie sang is quite vacuous, her light-weight voice does not make the songs significantly memorable.